![]() I was quite happy how well the entire experience went actually, but I'm still just trying to wrap my mind around the whole idea that I was actually doing something that could damage my gear. Too little level sounded just like having the pot on the guitar turned down, and too much level just made the tone sound kind of nasty, like too much of a pedal boost before the amp or something.Īnyway, I trust my ears and I'm confident that using the passive DI (instead of a Reamp box) had no audible effect on the way the amp tone sounded. To get the DI level right, I started with the DAW fader of the track completely down (which of course, produced no sound through the amp at all), and then eased it up until it sounded right coming out of the amp. Then obviously the mic cable, into the DI in reverse, and then the guitar cable on to the amp. I sent the clean track out of my Digi002 (1/4" out), into this: James, I don't doubt your experience and your knowledge on the subject of reamping, but I have a passive Radial ProDI that I recently used for reamping for the first time, and it worked great in reverse. Shipping Size: 4" x 3" x 6.I just want to chime in here. Construction: 14 gauge steel chassis & outer shell, baked enamel finish Polarity: 180-degree polarity reverse at 1/4" output Low-cut filter Low-cut: -3dB down 180Hz Mute: Mutes the output at the 1/4": unbalanced out Ground lift: Disconnects pin-1 at the XLR input XLR input: Balanced line-level, AES standard (pin-2 hot) Phase deviation: 2-degree 100Hz 0-degree 800Hz Inter-modulation distortion: 0.0025% 1kHz/-10dB input Total harmonic distortion: 0.001% 1kHz/0dBu input Common mode rejection ratio: -55dB 55Hz ![]() Frequency response: 20 Hz ~ 20 kHz (+0dB/-1dB) Audio circuit type: Passive, transformer isolated Improves productivity while expanding creative options Original Reamp circuit designed by John Cuniberti And Reamping is no longer just for guitars It is now common to Reamp bass, keyboards, drums, violin, and tons of other instruments.įeatures:- Lets you re-record tracks through a guitar or bass amp With today's unlimited track capabilities, Reamping is now accessible to everyone. An on-board mute function has also been added to allow you to shut off the signal going to the amps when making adjustments or moving mics around the studio. The current Radial version features separate XLR and TRS input connectors, variable output level plus a three-position filter that lets you tame excessive highs, warm up the lows or simply bypass if you want to revert to the original circuit. It features a 100% passive design with John's original custom wound 'Made in the USA' transformer and circuit. The Radial Reamp JCR is the recent version of the original Reamp that was designed and patented by John Cuniberti. Best of all, you can Reamp the track later as the production develops. Once the session has been captured, you can reamp the track at your own convenience, giving you time to try various amplifiers or introduce effects. The benefits are tremendous: instead of worrying about the sound of the track, you can focus your attention on getting the best musical performance. The Radial Reamp JCR is a passive Reamper that allows you to take a prerecorded track and send it back to a guitar or bass amplifier and re-record it.
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